|
The Lighting system on the Garage dancefloor consisted of 4 separate lighting elements: Color Washes, Streak Effects, Psych Effects, and Mood Lighting. By using 10 separate lighting methods, these 4 main effects were put together to make a very interesting lighting plot. Ok. . . now let's start by setting up a visual image of the dancefloor space. . . Now the first method used to light the dancefloor was called a color wash. The main purpose of this color wash was to saturate the dance floor with as much color as possible. The lighting fixtures we used to create this wash effect was the 14" scoop. There were 32 scoops hung from the ceiling that were separated into 4 zones (a string). Each string contained 8 lamps that were further divided into 4 pairs. To give the design versatility each pair of lamps was a separate color producing a 4 color schemed wash: 2 cool colors, and 2 warm colors. The lighting board that ran the scoops was able to take full advantage of this crisscross pattern. The lights would either chase on the outside spurs of the star in pairs, or bounce around on these spurs in random order. Or they could take full advantage of the entire string running the length of the dancefloor, and spin pin-wheel fashion or spin in random order. The wide variety of chase programs on the board made it possible to have a multitude of patterns multiplied by 4 colors. . . This effect was massive in scale and it proved to be very dynamic visually. The second color wash method used was the Strip Lighting that ran along the perimeter of the room. These lights had just a 3 color wash that did a very effective job. The concept of the strip light goes back to the earlier days of theater to their distant cousins called 'foot lights'. This design was mainly used as front lighting for stage performances and in some extreme cases, the only lighting on the stage. Anyway what we used at the Garage was a bit more advanced than the candle powered version of days gone by. The strip lights we used were not a very elegant fixture nor did it have a guamet of running programs but it did do a quick flood of blue, red and magenta at a moments notice, and I myself got a kick out of using them in a pinch. The next lighting technique used at the Garage was spot
lighting or streak effects. This method wasn't use to saturate the dancefloor
but rather highlight the base color wash with a complimentary accent. The streak
effect was also used as an atmospheric effect which produced a shaft of light
that was able to cut through the crowd at all angles, spot lighting different
areas of the room. The main system we used for this effect, and one the Garage
crowd will remember, is the Ring
System. There were 9 rings on the ceiling at the Garage, 8 were set in an
oval pattern, and the 9th ring was centered. The Rings were designed to cover
the dancefloor area and be used as a rigging device for lighting. The most common
lamp to be rigged on a Ring system was the
Pin Beam. On each Ring we used a total of 64 pin beams, 512 total . . . "Very
nice"! The second streak effect used at the Garage was the Spinners. The spinners were not a very intense effect like the Rings but they had a niche' of their own. They used the same bulb as the Pin-Beam producing a shaft of light which cut through the crowd, but instead of pointing in a single direction the spinners job was to rotate on it's axis in a 360 degree pattern. The spinners were also set in pairs of 2 that could chase in sequence, or come on all together. This really depended on the song and the type of effect you wanted to produce, but that is another discussion.. The last streak effect was a favorite of all of us, it was the Beacons. The beacons (police beacons) were a huge effect, when they came on, you knew about it. Their main function was to cut the room into sections in rotating angles so that no inch of the dancefloor was untouched by them. The double-beacons that were in the center of the rings were mounted on rotating motors to achieve this coverage effect. The chase program for these lamps were fairly simple, they either chased in random sequence ordered sequence or all on full blast.. This next section we will move into the Psych effects used
at the Garage. First let us start with your favorite and mine, The Strobe light..
yes where would we be without the strobe effect. The Paradise Garage probably
used more strobes than any nightclub in history. . and we used them well. There
were 2 basic types of strobes hung on the ceiling. The first was the Super Strobe
which had an out put of 1 thousand watts, we put these fixtures on the ceiling
in a circular pattern around the Rings.
We'll move into the Mood lighting section now and talk about
my all time favorite lighting effect at the Garage, . . . the Gobo Rotators. The
Gobo- Rotators
were mounted on the center Ring, their main function was to sweep the room in
a slow and deliberate pace gently spotlighting medium sized areas. We used a total
of 12 fixtures and set them into 3 groups of 4. The Gobo Rotator was the initial
idea of today's "intelligent lighting fixtures". The Intelli-beam, Vari-lite,
Martin, Clay-Paky, all the modern moving light fixtures are derived form this
basic gobo rotation idea. Ok, another mood effect we used at the club was The Black
lights. I wish I had tons to say about these fixtures, but they were black
lights. You know the funny neon blue glow.. it made your teeth really bright.
The only neat thing I can say about them is, we sure did use a lot of them and
they burnt out often. The last mood effect we will talk about is the Mirror
Balls. And boy did Larry love these things. . . big shinny Balls, . . just
kidding. . . The 30 inch mirror ball was the work horse of an era
gone by. Most night clubs put a pin beam or a small spot on the ball, this would
give you a nice pin shard effect, but not us.. And so there you have it, the lighting on the Paradise Garage
dancefloor. I am sure I left out an effect or two, but those are the major ones.
No I won't let you down.. Here
|